Here are my new cinematic SONY SLOG 3 LUTS – SKINTONE EDITION. I spent months developing and using these luts on my projects and I learned a lot about why a lot of Sony SLOG 3 luts don’t work, exposing and filming SLOG 3 is not easy and therefore I handcrafted this package of 21 Luts into two categories: Over exposed Slog3 and Normal to Underexposed Slog 3.

This way my luts are suitable for any shooting scenarios and conditions and are very easy to customize.

I also added a bonus in there, my Monitoring Lut that I use on my external monitors to judge exposure and get a sens of colours. This lut alows you to see the full dynamic range of the camera.

A lot of people ask me on how do I colour my projects and the answer is now in front of you.

The Luts will give you a nice cinematic commercial look, while retaining a high dynamic range image which will please your clients and make your work look high quality. They will also save you a lot of time in post production since you will not have to struggle with color grading any longer.

If the lut is to strong, simply ajust it’s opacity or if the luts are to weak just ad a little bit of shadows.